中华民族共同体音乐论  

Theory of Chinese National Community Music

作　　者：包爱军[1,2] Bao Aijun(the School of Music,Minzu University of China;the Chinese Minority Music Society,Beijing,100081)

机构地区：[1]中央民族大学音乐学院 [2]中国少数民族音乐学会,北京100081

出　　处：《民族艺术研究》2025年第1期59-65,共7页Ethnic Art Studies

基　　金：2022年度国家社科基金艺术学重大项目“中华民族共同体认同与各民族音乐交融共生研究”(项目批准号:22ZD11)的阶段性研究成果。

摘　　要：中华民族共同体音乐是各民族在中华民族发展过程中共同创造的新音乐形态,具有时代性和使命性。中华民族共同体音乐的内融性发展和创造性转换,揭示了其“双根性、结合性、新样性、人民性”属性,通过融合各民族音乐文化中的共生特质,构建中华民族共同体,突出其在传统音乐文化中蕴含的交融性共享性文化因子,助力中华民族共同体意识的形成。从中华优秀传统文化与马克思主义文艺观结合的视角出发,构建“多元一体”的中华民族共同体音乐认知与认同体系,提供以音乐文化建设和理解中华民族共同体的理论框架。中华民族共同体音乐不仅丰富了中华民族文化内涵,还为现代文明的构建提供了新的视角与思路。The music of the Chinese national community is a new form of music jointly created by various ethnic groups in the process of the development of the Chinese nation, which is epochal and mission-oriented. The endogenous development and creative transformation of the music of the Chinese national community reveals its attributes of “dual-root, combination, novelty, and people's nature”, and builds the Chinese national community by integrating the symbiotic qualities of the music cultures of various ethnic groups, highlighting the cultural factors of intermingling and sharing contained in the traditional music cultures, and helping the formation of the sense of community of the Chinese nation. From the perspective of combining the excellent traditional Chinese culture with the Marxist concept of literature and art, we construct a pluralistic and integrated system of music cognition and identity of the Chinese national community, providing a theoretical framework for building and understanding the Chinese national community through music culture. The music of the Chinese national community not only enriches the connotation of Chinese national culture, but also provides new perspectives and ideas for the construction of modern civilization.

关 键 词：中华民族共同体音乐 马克思主义文艺理论 中华民族共同体建设 “第二个结合” 

分 类 号：J602[艺术—音乐]