乌兰牧骑:马克思主义文艺理论的“艺术人民性”特质  

Ulaan Mochir: The “Artistic People's Nature” Character of Marxist Literary Theory

作　　者：楚高娃[1] Chu Gaowa(the School of Music of Central University for Nationalities,Beijing,100081)

机构地区：[1]中央民族大学音乐学院,北京100081

出　　处：《民族艺术研究》2025年第1期66-72,共7页Ethnic Art Studies

基　　金：2022年度国家社科基金艺术学重大项目“中华民族共同体认同与各民族音乐交融共生研究”(项目批准号:22ZD11)的阶段性研究成果。

摘　　要：乌兰牧骑始终秉持着“为人民而艺术”的文艺理念,深入基层、艰苦奋斗,全心全意为人民服务,赢得了历代国家领导人和广大人民群众的赞誉。乌兰牧骑文艺作品呈现出“真实性与思想性”“多样性与地域性”“创新性与时代性”等特征,“艺术人民性”是他们的核心特质,也是艺术理念和表演实践始终坚守的根本原则,是马克思主义文艺理论中国化的具体表现。The Ulaan Mochir has always adhered to the literary and artistic concept of“art for the nature of people”,and has won the praise of successive generations of national leaders and the general public by going deep into the grassroots,struggling hard and serving the people wholeheartedly.The Ulaan Mochir's works of literature and art are characterized by“authenticity and ideology”,“diversity and locality”,“innovativeness and contemporaneity”,and“art for the nature of people”.The“people's nature”is their core quality,and also the fundamental principle that artistic concept and performance practice have always been adhered to,which is a concrete manifestation of the adaptation of Marxist literary theory into Chinese context.

关 键 词：乌兰牧骑 马克思主义文艺理论 中国化实践者 艺术人民性 

分 类 号：J605[艺术—音乐]