传统舞蹈舞台化实践路径的多维探索  

A Multi-dimensional Exploration of the Practical Path of Staging Traditional Dance

作　　者：邓佑玲[1,2] Deng Youling(Beijing Dance Academy,Beijing,100081;Beijing Philosophy and Social Science Ethnic Dance Culture Research Base,Beijing,100081)

机构地区：[1]北京舞蹈学院,北京100081 [2]北京舞蹈学院北京市哲学社会科学民族舞蹈文化研究基地,北京100081

出　　处：《民族艺术研究》2025年第1期81-89,共9页Ethnic Art Studies

基　　金：2022年度教育部人文社会科学研究规划基金项目“舞蹈人类学研究”(项目批准号:22YJA760073);2023年度国家社科基金艺术学重大项目“中国舞蹈学科体系、学术体系、话语体系现状评估及评价标准研究”(项目批准号:2023ZD10)子项目“中国舞蹈学科体系历史与现状研究”的阶段性研究成果。

摘　　要：传统舞蹈作为民族文化基因的活态载体,既承载着民族的历史记忆与审美密码,又需在现代舞台艺术的语境中寻求创造性转化。这种实践不仅关乎艺术形式的创新,更涉及文化主体性重构、历史真实性与现代审美性博弈等深层命题。传统舞蹈的舞台化实践,本质上是一场跨越时空的文化对话。文章基于人类学“身体实践”理论分析传统舞蹈舞台化实践的保存式、复建式、重构式和创新式四种路径,提出传统舞蹈舞台化实践的“文化基因提取—身体语法重构—语境再生”操作路径,其价值取向要处理好传统与现代、变与不变、过去与未来的关系,以及全景式记录和口传身授在传统舞蹈传承实践中的重要性。As a living carrier of national cultural genes, traditional dance carries the historical memory and aesthetic codes of the nation, and needs to seek creative transformation in the context of modern stage art. This practice is not only related to the innovation of art form, but also involves the reconstruction of cultural subjectivity, the game of historical authenticity and modern aesthetics and other deep-seated propositions. The practice of staging traditional dance is essentially a cultural dialogue across time and space. Based on the anthropological theory of “body practice”, the article analyses the four paths of preservation, reconstruction, reconfiguration and innovation of traditional dance staging practices, and puts forward the operation path of “cultural gene extraction, body grammar reconstruction, contextual regeneration” for traditional dance staging practice. The value orientation of this practice should deal with the relationships between tradition and modernity, change and constancy, past and future, as well as the importance of panoramic recording and oral teaching in the practice of traditional dance inheritance.

关 键 词：舞蹈保存 舞蹈复建 舞蹈重构 传统舞蹈活化 

分 类 号：J702[艺术—舞蹈]