戏可以群:戏剧功能的审美社会学分析  

Theatre Can be a Cluster: An Aesthetic Sociological Analysis of the Function of Theatre

作　　者：施旭升[1] 孟晶 Shi Xusheng;Meng Jing(Communication University of China,100024;Guangxi Academy of Arts)

机构地区：[1]中国传媒大学,北京100024 [2]中国传媒大学艺术研究院,北京100024 [3]广西艺术学院

出　　处：《民族艺术研究》2025年第1期110-118,共9页Ethnic Art Studies

基　　金：国家社科基金艺术学重大项目“建党百年艺术生产运行机制与制度研究”(项目批准号:22ZD02)的阶段性研究成果。

摘　　要：戏可以群。戏剧传承和创新的全部意义,就在于其价值功能的多层次、多向度的实现。在人类文明的进程中,戏剧之所以能够绵延数千年而至今弦歌不辍,在审美社会学的意义上,就在于:戏剧能够在其“仪式—交流”的过程中体现出社会交往的功能,在“游戏—娱乐”的向度上体现出社会品位的高下,通过“认知—启迪”和“净化—陶冶”以实现社会宣传及社会疗愈的效用,同时还在“引导—规范”的层面上实现对于社会价值的引领。戏剧由此而成为提升社会文明的水平、维系各社会群体的精神生态、达成良性的社会治理的有效方式。Theatre can be a cluster. The significance of theatre's inheritance and innovation lies in the multi-level and multi-directional realization of its values and functions. In the process of human civilization, the reason why theatre has been able to extend for thousands of years and keep on singing is that, in the sense of aesthetic sociology, theatre is able to embody the function of social interaction in the process of “ritual-communication”, and in the direction of “play-entertainment”, theatre can reflect the level of social taste. Also, through “cognition and enlightenment” and “purification and cultivation”, it can realize social propaganda and social education. At the same time, it also realizes the leadership of social values at the level of “guidance-norms”. Theatre has thus become an effective way to raise the level of social civilization, to maintain the spiritual ecology of social groups, and to achieve benign social governance.

关 键 词：戏剧功能 “仪式—交流” “游戏—娱乐” “净化—陶冶” “认知—启迪” “引导—规范” 

分 类 号：J802[艺术—戏剧戏曲]