徽州三雕艺术的数字化呈现与设计  

Digital presentation and design based on Huizhou's"Three-Sculpture"art

作　　者：王永虎[1] 杨广红[1] WANG Yonghu;YANG Guanghon(School of Fine Arts and Design,Chaohu University,Hefei,Anhui,238024,China)

机构地区：[1]巢湖学院美术与设计学院,安徽合肥238024

出　　处：《豫章师范学院学报》2025年第1期39-44,共6页Journal of Yuzhang Normal University

基　　金：安徽省高校哲学社会科学研究重点项目“徽州三雕艺术的数字化呈现研究”(编号:2023AH052082)。

摘　　要：徽州三雕艺术是中国传统手工艺文化的独特形式之一,具有悠久历史和深厚文化内涵。随着数字技术的发展,数字化呈现为三雕艺术的保护、传承和创新提供了新途径。徽州三雕艺术的数字化呈现设计亟须通过多学科交叉研究,重构其科学与人文内涵,探讨数字化呈现的技术方法、形式和设计原则。这有助于在当今视觉艺术与文化传播中,建立现代与过去的链接,实现传统与现代的融合,维持文化符号的多元化,用科技传承文明,促进优秀传统文化的可持续发展。Huizhou"Three-Sculpture"art is a unique form of traditional Chinese handicraft culture with a long history and profound cultural connotations.With the development of digital technology,digital presentation provides a new way for the protection,inheritance and innovation of the"Three-Sculpture"art.The digital presentation design of Huizhou"Three-Sculpture"art urgently needs to reconstruct its scientific and humanistic connotations through multidisciplinary cross-study,explore the technical methods,forms and design principles of digital presentation,which will help to establish a link between the modern and the past,realize the integration of tradition and modernity,maintain the diversity of cultural symbols,inherit civilization with science and technology,and promote the sustainable development of excellent traditional culture in today's visual art and cultural communication.

关 键 词：徽州三雕 数字化呈现 设计 

分 类 号：J305[艺术—美术]