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作 者:刘卓[1] 孙郑一夫 Liuzhuo;Sun Zhengyifu(College of Foreign Studies,Northeastern University,Shenyang Liaoning 110819)
出 处:《沈阳师范大学学报(社会科学版)》2025年第2期81-87,共7页Journal of Shenyang Normal University(Social Science Edition)
基 金:东北大学研究生课程建设项目(DBDXYKC2024008)。
摘 要:安吉拉·卡特的《魔幻玩具铺》聚焦20世纪60年代凸显的社会现实,通过对物的书写表达了对身份问题的关切。卡特以奇幻怪诞的笔法描绘了物的施事活力,它们不仅是身份的投射,还超越了传统的客体角色,以无处不在的能动性对人类主体身份产生多重影响,既肇始了小说中人物的身份困境与危机,也稳固并修正了其主体性。卡特通过书写小说中各类颇具神秘活力的物与人的复杂互动,揭示出动荡的现代社会中个体经历的蜕变,为理解物对主体身份的形塑力量提供新的视角。Focusing on the social reality in the 1960s,Angela Carter's The Magic Toyshop expresses concern for identity issue through the writing of things.Carter employs a fantastical and grotesque writing style to depict the agency of these things,which not only project identities but also transcend the traditional roles as mere objects.They exert multiple influences on human subject identity through their ubiquitous agency,both initiating the characters'identity predicaments and crises,and solidifying and reshaping their subjectivity.By illustrating the complex interactions between the variety of mysteriously vibrant things and people in the novel,this study aims to reveal how individuals transform amidst the upheaval of modern society,thus providing a new perspective for understanding the formative power of things on subject identity.
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