再造五岳:唐代以来南诏五岳的地方塑造、国家进场与历史书写  

Recreating the“Five Sacred Mountains”:Local Shaping,State Integration,and Historical Writing of Nanzhao’s“Five Sacred Mountains”Since the Tang Dynasty

作　　者：张俊峰[1] 李杰 ZHANG Junfeng;LI Jie

机构地区：[1]山西大学中国社会史研究中心,山西太原030006

出　　处：《思想战线》2025年第1期92-104,共13页Thinking

摘　　要：唐代南诏封五岳之事,与其君臣对中原文化的学习及面临的政治、军事形势等直接相关,是对其疆域的礼仪统合。明清时期,正统岳庙在云南广泛建设,南诏五岳的痕迹大多湮没在历史的潮流中,存在由南诏五岳到正统岳庙的转变过程。在统一性之外,北岳玉龙雪山成为南诏五岳的重要历史遗存,深刻融入当地社会、文化之中,尤其是在明代成为木氏土司彰显权力的特殊场域,带有鲜明的地方特色。由于五岳是大一统王朝的象征,故后世尤其是明清时代的历史书写中南诏五岳多被定性为僭封,并且成为主流的历史书写方式。岳庙祭祀的转变、历史书写方式的转换,背后体现的是国家的进场,亦是云南融入王朝大一统秩序的象征。The canonization of the“Five Sacred Mountains”by Nanzhao Kingdom in Tang Dynasty was directly related to the Kings and ministers’imitation of the Central Plains Culture and the political and military circumstances they faced.It represented a ceremonial integration of their territory.During the Ming and Qing dynasties,mountain temples were widely built in Yunnan,and the traces of the Nanzhao’s“Five Sacred Mountains”were mostly disappeared in history,making a transition from Nanzhao’s“Five Sacred Mountains”to mountain temples.In addition,the Jade Dragon Snow Mountain,the so called“Northern Sacred Mountain”,has become an important historical relic of Nanzhao’s“Five Sacred Mountains”,deeply integrating into the local society and culture,especially during the Ming Dynasty when it became a special field for the Mu clan chieftains to assert their power,reflecting distinct local features.As the“Five Sacred Mountains”symbolizes the unity of the state,later historical writings,especially during the Ming and Qing dynasties,often described Nanzhao’s“Five Sacred Mountains”as an“usurpation”,becoming the mainstream narrative of history.The transformation of mountain temples worship and the shift of historical writing reflect the kingdom’s integration into the state,symbolizing Yunnan’s integration into the dynastic order.

关 键 词：五岳 南诏 云南 大一统 历史书写 

分 类 号：K28[历史地理—历史学]