《太和正音谱》的后世流传及其戏曲史意义  

The Spread of Taihe Zhengyin Pu and Its Significance in Drama History

作　　者：李越 LI Yue

机构地区：[1]华南师范大学教育科学学院(汕尾)

出　　处：《戏剧艺术》2025年第1期44-57,共14页Theatre Arts

基　　金：教育部人文社会科学研究青年基金项目“近代日记文献所存戏曲史料辑录与研究”(19YJC760052)的阶段性成果。

摘　　要：《太和正音谱》是明初宁王朱权的戏曲论著。在明代不同时期,《太和正音谱》的命运起起落落。早期宁府刊本主要在宫廷、宗室和望族间流传,它在被收藏的同时也起到了文本校勘等作用。正德年间,北曲特盛,《太和正音谱》成为人们填词作曲必备的参考书。之后《太和正音谱》被人们阅读、传抄、拆分、合并、刊刻,成为市场上的热门书籍。万历以后,《太和正音谱》又影响到了南曲谱的编纂。追踪《太和正音谱》的流传轨迹及文本的变化,可见其命运和明代戏曲的勃兴及曲学的发展紧密联系。Taihe Zhengyin Pu is a work on Xiqu theory by Zhu Quan,a prince of the early Ming dynasty.Throughout the Ming period,the fate of Taihe Zhengyin Pu experienced various fluctuations.In its early stages,editions published by the Ning court primarily circulated among the royal court,nobility,and prominent families.It served not only as a collection item but also played a role in textual collation and correction.During the Zhengde period,when Northern Qu flourished,Taihe Zhengyin Pu became an essential reference for lyric writing and music composition.Subsequently,the book was read,transcribed,split,merged,and reprinted,becoming a popular publication in the market.After the Wanli period,Taihe Zhengyin Pu influenced the compilation of Southern Qu scores.Tracing the spread of this book and its textual changes reveals that its fate is closely intertwined with the rise of Ming Xiqu and the development of Xiqu's musical forms.

关 键 词：太和正音谱 乐府楷式 流传 被塑造的曲谱 

分 类 号：J80[艺术—戏剧戏曲]