接调考释  

An Examination of Jiediao

作　　者：谭笑 TAN Xiao

机构地区：[1]首都师范大学初等教育学院

出　　处：《戏剧艺术》2025年第1期58-70,共13页Theatre Arts

基　　金：教育部人文社会科学研究青年基金项目“沈璟《南曲全谱》整理与研究”(24YJC751030)的阶段性成果。

摘　　要：接调是古代曲乐学中一个较为冷僻的术语。其内涵在南宋姜夔《白石道人歌曲》中已有体现,而它作为一个理论术语则出现在明中叶南曲盛行之后。接调是南曲曲牌联套中过曲的一种特殊呈现。当接调与起调属于同一曲牌时,其首句板式有着较大的差异。接调功用是通过板式与字句的变换实现曲唱的和谐,因此其与换头有着密切的关联。Jiediao is a relatively obscure term in the study of ancient Xiqu music.Its connotation was reflected in Jiang Kui's Songs of Baishi Taoist in the Southern Song Dynasty.As a theoretical term,it appeared after the mid-Ming period when Southern Qu became popular.Jiediao refers to a special presentation of Guoqu(transitioning tunes)in the Southern Qu suite of Qupai(melodic patterns).When Jiediao and Qidiao(the initial tune)belong to the same Qupai,the structure of the first line is significantly different.The function of Jiediao is to achieve harmony in singing through changes in beat,rhythm(Banshi)and phrasing,which is closely related to Huantou(changing the head melody).

关 键 词：接调 曲牌联套 过曲 板式 换头 

分 类 号：J80[艺术—戏剧戏曲]