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作 者:周婷 ZHOU Ting(College of Chinese Literature,Guizhou Normal University,Guiyang 550025,China)
出 处:《赣南师范大学学报》2025年第1期90-97,共8页Journal of Gannan Normal University
基 金:国家社会科学基金重大项目(19ZDA249)。
摘 要:梅花赋在宋代以前仅有萧纲《梅花赋》及宋璟《梅花赋》两篇赋作。宋代咏梅文学繁盛,吟咏梅花的赋作亦在此时兴起,单是江西文人所创作的梅花赋就有七篇。宋代江西文人重视气节,讲究自立,秉承刚正节烈之气。因梅花具有君子风范,故而宋代江西文人以赋书写梅花,其以格物致知的审美方式品味鉴赏梅花,并形成超越日常、提升诗意的书写特征,其方式有二:一是艺术上追求新变,加强叙事成分,并以夸张手法或奇幻之笔书写日常生活,将梅花高雅的精神境界推向极致;二是敷陈古今人事之时兼以议论手法。Prior to the Song Dynasty,there were only two pieces of ode dedicated to the plum blossom,namely"Ode to the Plum Blossom"by Xiao Gang and"Ode to the Plum Blossom"by Song Jing.During the Song Dynasty,the literature on plum blossom flourished.The ode that praised the plum blossom was particularly prominent.The plum blossom was also the object of admiration for literati.In the cultural context of Jiangxi,the plum blossom was not only the first to herald the arrival of spring but also a symbol of the literati's affection.During the Song Dynasty in Jiangxi,literati valued integrity and self-reliance,adhering to the principles of uprightness and fortitude.They composed their ode with a focus on the spirit of the plum blossom,which was seen as embodying the demeanor of a gentleman.Their approach to writing about the plum blossom was two fold:first,they sought artistic innovation and variation,enhancing the narrative elements and employing exaggeration or fantastical techniques to describe everyday life;second,they integrated discussions of historical figures and events,thus elevating the literary quality of their writing.
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