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作 者:郑巨欣 ZHENG Juxin(College of Manual Arts,China Academy of Art,Hangzhou 310012,China)
机构地区:[1]中国美术学院手工艺术学院,浙江杭州310012
出 处:《服装学报》2025年第1期59-63,共5页Journal of Clothing Research
基 金:国家社会科学基金项目(22VJXT004)。
摘 要:中国服装色彩有鲜明的特色,研究有诸多路径,文化共性研究是重要选项。通过分析中国色彩的颜色观,试图说明其与当下中国通行的西方色彩学之间的不同,指出系统性的中国服装色彩文化受到中国历史、地理、语言、制度及其相关的色彩文化的滋养,并首次提出中国服装色彩文化共性的整体观,认为中国服装色彩研究需要注重内化颜色与外观物色的统一。Chinese clothing has distinct characteristics, one of which is color. There are multiple approaches to studying clothing colors, and more research is needed on the cultural commonalities of clothing colors. This paper aims to illustrate the differences between traditional Chinese color concepts and the currently prevalent Western color theory in China by analyzing the perspective on color in Chinese culture. It emphasizes that systematic research on Chinese clothing colors should be nourished by China’s history, geography, language, and institutions, as well as the related color culture. The paper proposes an integrated perspective on the cultural commonalities of Chinese clothing colors, suggesting that research on Chinese clothing colors should focus on the harmony between internal color perception and external color expression.
分 类 号:TS941.2[轻工技术与工程—服装设计与工程]
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