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作 者:肖世孟[1] XIAO Shimeng(Research Center for Traditional Chinese Color Theory,Hubei Institute of Fine Arts,Wuhan 430205,China)
机构地区:[1]湖北美术学院中国传统色彩理论研究中心,湖北武汉430205
出 处:《服装学报》2025年第1期64-67,共4页Journal of Clothing Research
基 金:国家社会科学基金项目(22VJXT004)。
摘 要:古代祭祀所用礼服与礼器必须遵循“礼神者必象其类”的法则,玄衣纁裳色彩特点不仅表现为视觉特征,更体现在其象征内涵。通过文献梳理,对玄衣纁裳进行剖析,探讨其色彩在祭祀天地的礼仪活动中扮演的角色。研究发现,玄衣纁裳中玄象征天,纁象征地,“玄”“纁”色彩的结合体现的是天地相交的阴阳关系,并蕴含万物因此而生,且生生不息之意。The robes and ritual vessels used in ancient sacrifices must adhere to the principle of "those who honor the gods must emulate their nature." The color characteristics of dark robes and reddish-brown skirts are not only about their visual features but also about their symbolic connotations. Through a review of the literature, this paper analyzes "dark robes and reddish-brown skirts" and discusses the role of their colors in ritual activities for sacrificing to heaven and earth. The study finds that in dark robes and reddish-brown skirts, dark symbolizes heaven, while reddish-brown symbolizes earth. The combination of these two colors embodies the yin-yang relationship of heaven and earth intersecting, signifying the birth and continuous flourishing of all things.
分 类 号:TS941.2[轻工技术与工程—服装设计与工程]
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