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作 者:张思珑 ZHANG Silong(Guangzhou Huali College,Guangzhou 510000,Guangdong,China)
机构地区:[1]广州华立学院,广东广州510000
出 处:《上海包装》2025年第2期67-70,共4页Shanghai Packaging
摘 要:随着现代设计领域的不断拓展,插画作为一种极具艺术魅力的视觉表现形式,在诸多领域中得到应用,以传统文化元素为主题的插画作品逐渐进入大众视野。从传统文化保护与传承的角度出发,对侗族传统文化元素进行分类与提炼,并深入剖析了视觉转译的原则。结合具体实践案例,探讨如何在保持少数民族特色的基础上,将传统元素融入现代插画设计中,以期为插画设计提供新的视角和参考价值。With the continuous expansion of the field of modern design,illustration,as a visual expression form with great artistic charm,has been applied in many fields.Ilustration works with traditional cultural elements as the theme have gradually entered the public's vision.From the perspective of the protection and inheritance of traditional culture,the traditional cultural elements of the Dong ethnic group are classified and refined,and the principles of visual translation are deeply analyzed.Combined with specific practice cases,this paper discusses how to integrate traditional elements into modern illustration design on the basis of maintaining the characteristics of ethnic minorities,in order to provide a new perspective and reference value for illustration design.
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