汉代漆器设计中凤鸟纹造型艺术探究  

Han Dynasty Lacquer and Phoenix Bird Pattern Modeling Art Exploration

作　　者：邢乂文 XING Yiwen(Liaoning University,Shenyang 110000,China)

机构地区：[1]辽宁大学,辽宁沈阳110000

出　　处：《鞋类工艺与设计》2025年第4期58-60,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：凤鸟纹,自远古时期便深植于华夏民族的文化血脉之中,历经岁月洗礼,其魅力不减反增,成为中华文化传承的重要标志。汉代作为中国历史上的一个辉煌时期,其漆器艺术更是将凤鸟纹样推向了新的高度。本文探讨了汉代漆器的起源与特征、寓意与艺术价值,详细分析了汉代漆器设计中凤鸟纹的造型艺术特征,包括鸟纹的独特韵味、与云纹的和谐共生以及和龙纹的相得益彰。此外,还深入解读了凤鸟纹造型艺术背后的文化内涵,为理解汉代社会审美与文化提供了独特视角。The phoenix bird pattern has been deeply rooted in the cultural blood of the Chinese nation since ancient times.After years of baptism,its charm has not decreased but increased,and it has become an important symbol of the inheritance of Chinese culture.As a glorious period in Chinese history,the lacquer art pushed the phoenix bird pattern to a new height.This paper discusses the origin and characteristics,implication and artistic value of the Han Dynasty lacquerware,and analyzes in detail the plastic art characteristics of the phoenix bird pattern in the Han Dynasty lacquerware,including the unique charm of the bird pattern,the harmonious coexistence with the moire and the complement of the dragon pattern.In addition,it also deeply interprets the cultural connotation behind the plastic art of phoenix bird pattern,which provides a unique perspective for understanding the social aesthetic appreciation and culture of the Han Dynasty.

关 键 词：汉代漆器 凤鸟纹 造型艺术特征 

分 类 号：J524.3[艺术—艺术设计]