连云港民间美术形态及其文化体系研究——以东海版画为例  

Research on the Forms of Folk Art and Cultural System in Lianyungang--Taking Donghai Woodblock Prints as an Example

作　　者：李珅 LI Shen(Lianyungang Normal College,Lianyungang 222006,China)

机构地区：[1]连云港师范高等专科学校,江苏连云港222006

出　　处：《鞋类工艺与设计》2025年第4期79-81,共3页SHOES TECHNOLOGY AND DESIGN

基　　金：连云港市教育科学“十四五”规划2023年度专项课题《美术欣赏课程中“家国情怀”思政资源整合与应用的实践研究》(项目编号:ZX/2023/12/187);2024—2025年度连云港市社会科学基金项目《非遗活态视角下东海版画的传承与创新研究》(项目编号:24LKT0076)。

摘　　要：连云港的民间美术具有鲜明的地域特色,艺术风格以简朴、淳厚为主,紧密契合当地的自然环境与人文背景。本研究通过对连云港的民间美术中东海版画的起源、艺术特征及社会功能的分析,揭示了该艺术形式在地方文化中的深刻影响及其在民间信仰、节庆习俗中的重要地位。东海版画不仅反映了当地居民的审美情趣与文化认同,还在民间艺术传承与创新过程中面临诸多挑战,如传统技艺的流失与市场需求的变化。针对这些问题,提出构建政府与社会力量合作机制、文化创意产业链建设等创新策略,旨在推动东海版画在现代社会中的持续发展与活态传承。The folk art of Lianyungang features distinct regional characteristics,with a predominant artistic style that is simple and genuine,closely tied to the local natural environment and cultural background.This study analyzes the origins,artistic characteristics,and social functions of Donghai woodblock prints within Lianyungang's folk art,revealing the profound influence of this art form on local culture and its significant role in folk beliefs and festive customs.The Donghai woodblock prints not only reflect the aesthetic tastes and cultural identity of the local residents but also face numerous challenges in the process of folk art inheritance and innovation,such as the loss of traditional skills and changes in market demand.To address these issues,innovative strategies are proposed,including the establishment of cooperative mechanisms between government and social forces and the development of a cultural creative industry chain,aimed at promoting the sustainable development and dynamic inheritance of Donghai woodblock prints in modern society.

关 键 词：民间美术 形态 文化体系 东海版画 

分 类 号：J528[艺术—艺术设计]