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作 者:王沂 Wang Yi
机构地区:[1]中央美术学院,北京市100105
出 处:《自然科学博物馆研究》2025年第1期41-48,共8页Journal of Natural Science Museum Research
摘 要:科技馆形态及科普展览的迭代,隐藏着一条从单独展品展示向多元知识传播的理路,而思想实验与知识生产或为科普展览的下一进阶。实现该进阶的重要路径之一则是科普展览策展人的建立。策展人作为组织者,以具体主题邀请不同知识结构的研究者共同参与展览的策划与筹备,打破自然科学与人文社会科学之间的壁垒,对既有知识经验、科技成果、文艺作品、应用产品等进行重新梳理,以艺术化思维创新展示方式,使科普展览成为以科学为基本叙事线索的跨学科创新呈现,在多元展品的组合中启发观众获得新感受,促成知识生产的可能。The evolution of the form of science museums and science popularization exhibitions reveals an evolutionary trajectory from displaying individual exhibits to disseminating diverse knowledge.The future development of science popularization exhibitions may increasingly focus on thought experiments and knowledge production.One of the important paths to achieve this advancement is the establishment of science popularization exhibition curators.As organizers,curators invite researchers with different knowledge structures to participate in the planning and preparation of exhibitions based on specific themes,breaking down the barriers between natural sciences and humanities and social sciences.They reorganize existing knowledge experiences,technological achievements,literary works,and applied products,innovate display methods with artistic thinking,and make science popularization exhibitions an interdisciplinary innovative presentation based on science as the basic narrative thread.Through the combination of diverse exhibits,these exhibitions inspire audiences to gain new feelings and promote the possibility of knowledge production.
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