Cultural Memory in Sounds:A Musical Anthropological Interpretation of the Newly Composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu”  

作　　者：Bo Dong Ruiji Shengchuan 

机构地区：[1]School of Music and Dance,Guangzhou University,Guangzhou 510006,Guangdong Province,China

出　　处：《Journal of Contemporary Educational Research》2025年第2期164-169,共6页当代教育研究(百图)

基　　金：supported by the sub-topic“Research on Language Folklore Art”of the 2022 China National Social Science Fund Art Major Project“Theoretical and Practical Research on Chinese Art Folklore”(Moderator:Professor Bo Dong)’s phased research results(Grant No.22ZD06).

摘　　要：This paper employs the theories and methods of music anthropology to conduct a deep analysis of the newly composed Guangdong Han Opera“Tianfeng Haiyu Meihuadu.”By exploring its musical forms,performance rituals,and the cultural connotations of the Hakka people,it reveals the unique cultural memory embedded in the musical aspects of the opera.The study finds that“Tianfeng Haiyu Meihuadu”is not only a representative work of the newly composed Guangdong Han Opera but also an important carrier of Hakka cultural inheritance and dissemination.Its music and performance are closely linked to the history,emotions,and social life of the Hakka people,providing a vivid example for understanding the characteristics of Hakka culture and the functions of musical culture.

关 键 词：Guangdong Han Opera Tianfeng Haiyu Meihuadu Music anthropology Hakka culture Cultural memory 

分 类 号：TP3[自动化与计算机技术—计算机科学与技术]