当代江南诗歌的多维书写及审美向度——以育邦诗集《止酒》为例  

The Multi-dimensional Writing and Aesthetic Orientation of Contemporary Jiangnan Poems:Taking Yu Bang’s Stop Wine as an Example

作　　者：董迎春[1] 陈甜甜 Dong Yingchun;Chen Tiantian

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《南京师范大学文学院学报》2024年第4期180-188,共9页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社科基金一般项目“当代诗歌‘元诗’观念及其实践问题研究”(23BZW146)的阶段性成果。

摘　　要：70后江南诗人育邦的诗集《止酒》中体现了生命处境和情感色彩上的挣扎与对抗。在江南“漂泊”文化的滋养之下,育邦于山水田园之间寻找禅思和哲理,通过对生存现世、心灵归宿悖论式的追问,诗人的诗歌形象于行走途中构建了一个精神原乡。透过诗与生命的对话,他运用联想、用典、通感等手段生成陌生化、异质性的江南诗语,在充满幻想性、荒诞性的语言中对主体进行悬置,以反常态的畸联组合全面投射自我情感,多维探索当代江南诗歌的审美呈现。Yu Bang,a poet from Jiangnan who born in 1970s,reflected the struggle and con-frontation in life situation and emotional color in his poetry collection Stop Wine.Under the nour-ishment of Jiangnan"wandering"culture,he looked for subtle meditation and philosophical reflec-tion in the landscape and countryside,and through the paradoxical questioning of survival in this world and spiritual destination,the poet's image constructed a spiritual hometown on the way.Through the dialogue between poetic art and life,he uses association,historical allusions,synesthe-sia and other means to generate defamiliarizing and heterogeneous Jiangnan poetic language,sus-pended the subject in the language full of fantasy and absurdity,projected self-emotion compre-hensively with abnormal combination,and explored the aesthetic presentation of contemporary Ji-angnan poetry in multiple aspects.

关 键 词：《止酒》 诗意生成 江南诗性 育邦 多维书写 

分 类 号：I106.2[文学—世界文学]