明代中晚期江南商人的艺术鉴藏活动——基于以安国、项元汴为中心的群体分析  

Art Connoisseurship of Merchants in the Mid-late Period of Ming Dynasty——A Group Analysis Based on AN Guo and XIANG Yuanbian

作　　者：王艺雯 WANG Yiwen(School of Liberal Arts,Lianyungang Normal College,Lianyungang 222006,China)

机构地区：[1]连云港师范高等专科学校文学院,江苏连云港222006

出　　处：《连云港师范高等专科学校学报》2024年第4期56-61,共6页Journal of Lianyungang Normal College

摘　　要：明代是精品书画鉴藏从内府官藏向民间私人购藏转变的时期。明代中后期,随着大批量的赝品伪作的出现和交易居间人作用的日益凸显,鉴藏风习出现了一些鲜明的时代特色,以安国、项元汴为鉴藏中心的江南地区商人群体是这一时期的活跃角色。文章以安国和项元汴的艺术鉴藏为分析对象,探讨明代中晚期江南地区商人群体的鉴藏链,以及他们参与的其他商业文化活动。The Ming dynasty was a period when the collection of fine calligraphy and painting changed from official collection to private collection.In the Mid-late period of Ming Dynasty,with the emergence of a large number of fake works and the increasingly prominent role of the broker in the trade,there appeared some distinctive characteristics of the times,the merchant community in the south of the Yangtze River,with AN Guo and XIANG Yuanbian as the centre of the collection,played an active role in this period.This paper focuses on the collection of art in AN Guo and XIANG Yuanbian,and explores the collection chain of merchants in the south of the Yangtze River in the middle and late Ming dynasty,as well as their other commercial and cultural activities.

关 键 词：书画鉴藏 安国 项元汴 商人群体 明代中晚期 

分 类 号：J209[艺术—美术]