民族生境之于侗族戏剧发展与流变研究  

A Study on the Role of Dong Traditional Drama in the Ethnic Habitat

作　　者：罗康隆[1] 向娟[1] LUO Kang-long;XIANG Juan(Huaihua University,Huaihua,Hunan 418000,China)

机构地区：[1]怀化学院,湖南怀化418000

出　　处：《贵州民族研究》2025年第1期77-83,共7页Guizhou Ethnic Studies

基　　金：国家社科基金一般项目“清代以来湘黔桂边区民族民间戏剧文化交融历程研究”(项目编号:22BMZ060)的阶段性成果。

摘　　要：任何文化的稳定延续都是相对的,而其变迁则是永恒且不可避免的。一个民族文化事实的产生、发展和演变,都源于生产、生活的需求与社会环境的变化。围绕生产生活的需要与社会环境的变化,该文化会主动进行调适,以适应新的环境。侗族戏剧的产生、发展与演替也遵循这一规律。只有适应侗族生境的戏剧才会一代代传承下来,随着侗族生境的变迁,侗族戏剧演替也会在延续中创新,在创新中守正与发展。The stability of any culture is relative, and its changes are eternal and absolute. The emergence and succession of an ethnic group's cultural facts are derived from the needs of production and life. As long as its production and living environment changes, the culture will adapt itself to the changed environment, and the succession and development of Dong drama are also the result of adapting to the needs of production and life. Only the drama form that ADAPTS to the Dong habitat will be passed down from generation to generation. With the change of the ethnic habitat, the succession of Dong drama will also innovate and stick to innovation in the continuation.

关 键 词：侗族 侗戏 民族生境 

分 类 号：J825[艺术—戏剧戏曲]