湘黔边界《四乡歌》的由来及其多元文化交融的内涵研究  

Research on the Origin of Si-xiang Song and the Connotation of Multicultural Integration on the Hunan and Guizhou Border

作　　者：周红果 陆湘之 ZHOU Hong-guo;LU Xiang-zhi(School of Marxism,Jishou University,Jishou Hunan 416000,China;Jingzhou Fei-shan Culture Institute Huaihua Hunan 418400,China)

机构地区：[1]吉首大学马克思主义学院,湖南吉首416000 [2]靖州飞山文化研究会,湖南怀化418400

出　　处：《贵州民族研究》2025年第1期96-102,共7页Guizhou Ethnic Studies

基　　金：国家社科基金一般项目“清代以来湘黔桂边区民族民间戏剧文化交融历程研究”(项目编号:22BMZ060)的阶段性成果。

摘　　要：《四乡歌》是湘西南渠水流域多民族文化交融而形成的一种民歌,反映出了此区域内苗族、侗族、汉族等民族的生活样态。在国家与地方同构的过程中,尤其在明代卫所制度背景下,汉文化的进入为《四乡歌》的形成与发展注入了多元文化要素的活力,呈现出多元文化共享与互鉴的典型特征。分析《四乡歌》形成的背景与发展、唱词内容与旋律特征等,可体现出是汉文化与苗族、侗族等民族文化交融后的产物,彰显了不同民族文化中“同”“殊”同构的同功性,所承载的民族文化“符号”呈现出融合趋向,最终构建起一个团结和睦的民族共同体,也彰显了中华优秀传统文化的传承。Si-Xiang songs are a folk song formed by the cultural integration of various ethnic groups in the Qu River Basin in southwestern Hunan province, reflecting the living styles of ethnic groups such as Miao, Dong and Han in the region. In the process of national and local homology, especially under the background of the Weisuo system in the Ming Dynasty, the entry of Han culture injected vitality of cultural pluralism into the formation and development of Si-Xiang songs, highlighting the typical characteristics of cultural sharing and mutual learning. Analyzing the background and development of Si-Xiang songs, lyrics and melody features, it can be seen that it is a product of the integration of Han culture and Miao-Dong ethnic cultures,demonstrating the same functional characteristics of‘sameness' and‘difference'in different ethnic cultures, and the cultural‘symbols' it carries show a trend of integration. It ultimately establishes a united and harmonious ethnic community and also highlights the inheritance of Chinese excellent traditional culture.

关 键 词：四乡歌 多元文化 交融 

分 类 号：I207.3[文学—中国文学]