新时代乡村振兴战略视阈下艺术乡建的哲学依据、空间转向及价值立场  

The Philosophical Basis,Spatial Shift,and Value Position of Artistic Rural Construction from the Perspective of the New Era Rural Revitalization Strategy

作　　者：张丽娟 张博 ZHANG Li-juan;ZHANG Bo(Design and Art,Shandong Youth Political College,Jinan,Shandong 250000,China)

机构地区：[1]山东青年政治学院设计艺术学院,山东济南250000

出　　处：《贵州民族研究》2025年第1期126-131,共6页Guizhou Ethnic Studies

基　　金：山东省社会科学规划研究项目“新时代乡村振兴战略视阈下特色村寨保护与传承研究”(项目编号:19CQXJ38)的阶段性成果。

摘　　要：艺术参与乡村建设,是新时代乡村振兴战略视阈与铸牢中华民族共同体意识背景下的热点现象及重要举措,诸多艺术乡村建设的探索和实践引起了学界的讨论,但鲜有学者注意到艺术乡村建设与语言学哲学之间的关联。20世纪初的语言哲学从“逻辑语言观”转向“审美语言观”,“审美语言观”影响下的艺术创作走出艺术与生活的对立逻辑,奠定了艺术乡村建设的哲学依据。同时,艺术乡村建设凸显出空间转向的特点,艺术乡村建设的民族文化表达强化了民族志意义和文化学内涵。新时代的艺术乡村建设,鲜明地展现出“人民性”追求,明确了艺术乡村建设的价值立场。Art participation in rural construction is a hot phenomenon and important measure in the context of the new era's rural revitalization strategy and forging the strong sense of community for the Chinese nation. Many explorations and practices of art rural construction have sparked discussions in academia, but few scholars have paid attention to the relationship between art rural construction and linguistic philosophy. At the beginning of the 20th century, the philosophy of language shifted from the "logical language view" to the "aesthetic language view". Under the influence of the "aesthetic language view", artistic creation broke away from the opposing logic between art and life, laying the philosophical basis for the construction of art villages. At the same time, the construction of art townships highlights the characteristics of spatial transformation, and the expression of ethnic culture in art townships strengthens the significance of ethnography and cultural studies. The construction of art villages in the new era vividly demonstrates the pursuit of "people-oriented" values and clarifies the value stance of art village construction.

关 键 词：乡村振兴 艺术乡建 空间转向 人民性 

分 类 号：G249.27[文化科学]