中国精神与新主流电影的话语形态  

The Chinese Spirit and the Discourse Form of New Mainstream Films

作　　者：陈林侠[1] Chen Linxia

机构地区：[1]中山大学中文系,广东广州510275

出　　处：《中州学刊》2025年第3期160-168,共9页Academic Journal of Zhongzhou

基　　金：2019年国家社会科学基金重大项目“中国电影文化竞争力与海外市场动态数据库建设”(19ZDA271)。

摘　　要：中国精神具有鲜明的当下性、现实性与政治性,在新时代弘扬中国精神、促成中国精神认同,离不开文学艺术的感性叙述,尤其离不开后发性现代艺术与具有国际传播力的电影。2009年《建国大业》的示范效应形成的新主流电影,在当下中国电影格局中占据优势。新主流电影给当下中国电影产业发展提供了新的思路,产生了影响当下中国的话语力量,成为在世界范围内抒写与传播中国精神的最佳媒介。新主流电影呈现出一种新的话语形态,即基于理性与情感统一的现代性主体,凸显个体与集体价值并重,彰显集体精神的国家意志以及开放包容的世界性与未来意识。在微观层面上,新主流电影注重塑造具有现代性主体意识的人物,以自主性的意志力表现政治信仰,充分发挥自身的能动性与自为性。在中观层面上,新主流电影强调新集体主义,以责任伦理的家国寓言有效地阐释中国式现代化实践。在宏观层面上,新主流电影构筑了一个清除东方主义文化记忆的“中国—非西方”之地,并以新时代新农村为背景,从生命体的角度理解宇宙本体,建构出一个共建共享的人类命运共同体观念,展现出新的中国形象。The Chinese spirit is characterized by its distinct contemporaneity,reality and political nature.To promote and foster the recognition of the Chinese spirit in the new era,the narrative of literature and art,especially the late-developing modern art and films with international dissemination power,are indispensable.The new mainstream films,which emerged as a result of the exemplary effect of The Founding of a Republic in 2009,have gained an advantageous position in the current Chinese film landscape.These new mainstream films have provided new ideas for the development of the current Chinese film industry,generated discourse power that influences contemporary China,and become the best medium for writing and spreading the Chinese spirit worldwide.The new mainstream films present a new discourse form,that is,a modern subject based on the unity of reason and emotion,highlighting the equal importance of individual and collective values,demonstrating the national will of collective spirit,and embodying the openness and inclusiveness of a global and future-oriented consciousness.At the micro level,new mainstream films emphasize the creation of characters with modern subject consciousness,expressing political beliefs through autonomous willpower,and exerting their own initiative and self-awareness.At the meso level,new mainstream films stress new collectivism,effectively interpreting the practice of Chinese-style modernization through the allegory of family and country based on the ethics of responsibility.At the macro level,they construct a“China-non-Western”space that clears the cultural memory of Orientalism,and with the new rural areas of the new era,understand the universe itself from the perspective of a living entity,build the concept of a community with a shared future for mankind,and show a new image of China.

关 键 词：中国精神 新主流电影 现代性主体 新集体主义 人类命运共同体 

分 类 号：J90[艺术—电影电视艺术]