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作 者:孙婷 李凌洲 李凡 SUN Ting;LI Lingzhou;LI Fan
机构地区:[1]天津大学建筑学院,天津300072 [2]宁波大学建筑与艺术设计学院,宁波315000
出 处:《建筑学报》2024年第S2期78-84,共7页Architectural Journal
基 金:国家自然科学基金重点项目(52038007)
摘 要:以隈研吾现代木建筑研究为样本,在全球化与逆全球化力量不断碰撞的时刻,以历史的视角观察建筑师在当代全球语境下的设计态度与设计策略。通过对隈研吾案例的归纳、分析与精读,从其建筑作品构造的迭代与演变,讨论其源于传统、本土诉求的建筑构造,从结构形象的抽象到剥离束缚,转译成为普遍性的建造手法;以技术适应性为出发点,分析当代技术与传统技艺、本地工艺、自然材料之间含混、暧昧、兼容的设计态度与设计策略,为当代全球语境下繁荣的现代木构建造设计提供建筑理论与实践参照。At a time when the forces of globalization and anti-globalization are constantly colliding,this paper attempts to observe architects'design attitudes and strategies in the contemporary global context from a historical perspective,using architect Kengo Kuma's modern wood architecture research as a sample.Through the induction,analysis and intensive reading of the case of Kengo Kuma,firstly,from the iteration and evolution of the structure of his architectural works,we discuss the architectural structure derived from the traditional and local demands,from the abstraction of the structural image to the removal of constraints,translated into a universal construction technique.Then,from technological adaptability,the ambiguous and compatible design attitudes and strategies between contemporary technology and traditional techniques,local craftsmanship,and natural materials were analyzed,shaping the prosperous architectural theories and practices of East Asian countries in the contemporary global context.
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