舞蹈和表现性理论  

Dance and the Expressionist Theory

作　　者： 安静(译)[3] Curtis L.Carter;An Jing(Marquette University,USA;Les Aspin Center for Government;不详)

机构地区：[1]美国马凯特大学哲学系 [2]华盛顿地区莱斯·阿斯平政府研究中心 [3]中央民族大学文学院

出　　处：《当代舞蹈艺术研究》2024年第1期64-71,共8页Contemporary Dance Research

摘　　要：舞蹈和艺术的表现性理论存在着历史悠久的联系,往前最早可以追溯到古希腊所建立的美学理论,后则可及最新的现代舞蹈实验。今天的舞蹈家和理论家应该会坚持在两种表现性理论之间进行区分,一种理论认为,舞蹈表现是由一种可以识别的情绪构成;另外一种观点认为,舞蹈表现纯粹由看上去具有表现性特质的动作构成,或者由具有表现性句法特征的系列动作构成。在考察鲁道夫·阿恩海姆(Rudolf Arnheim)舞蹈表现理论的基础上,文章认为,舞蹈表现是通过一种繁复的形式结构来隐喻或者再现的。Dance and the expressionist theory of art have a long history of association extending from the earliest aesthetic theory established in ancient Greece into the most recent experimentations of modern dance.Today's dancers and theorists would insist on a distinction between two seemingly different kinds of expressionist theories:the one is that dance experssion is composed of a recognizable emotion or mood;the other,a formalist notion,is that dance expression consists purely of movements that appear to have expressive qualities,or of a series of movements with expressive syntactic characteristics.Based on the research of Rudolf Arnheim's view on dance expression,the article's idea about dance is expressed through an expensive formal structures serving as metaphors or as representations.

关 键 词：舞蹈 表现理论 鲁道夫·阿恩海姆 形式结构 

分 类 号：J702[艺术—舞蹈]