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作 者:王玫[1] Wang Mei
机构地区:[1]北京舞蹈学院
出 处:《当代舞蹈艺术研究》2024年第1期23-38,共16页Contemporary Dance Research
摘 要:文章围绕舞蹈编创中的选材与立意问题,重点剖析编创者如何在借用他人作品作为素材时避免被他人的认知框架束缚,同时构建自己独有的认识体系。间接选材指编创者从现成作品中选取素材,这类素材带有原作者主观色彩。舞蹈编创在选择此类素材时,应意识到素材中包含的不仅有故事或形象,而且有原作者的主观认识。因此,编创者应避免简单重复他人观点,而应形成独立视角与认识。文章探讨直接立意在现代舞蹈中的表现及其潜在问题,认为直接立意虽源于编创者自身,但仍须追求立意的鲜明性和价值性。通过对间接与直接立意的技术构成、问题分析及其解决策略的研究,旨在为编创者提供理论依据和技术手段,促进其在创作实践中更有效地表达个人见解,提升作品的艺术价值和社会意义。The article centers on the issue of material selection and intention in dance choreography,focusing on analyzing how choreographers can avoid being bound by others'cognitive frameworks when borrowing other people's works as materials as materials to construct their own construct their own unique cognitive system.Indirect selection refers to the choreographer's selection of materials from ready-made works,which are often subjectively coloured by the original author.When choosing this kind of material,choreographers should realize that the material contains not only stories or images but also the original author's subjective understanding.Therefore,choreographers should avoid simply repeating others'views in the process of choreography and try to form independent perspectives and understandings.At the same time,the article discusses the performance of direct intention in modern dance and its potential problems,arguing that although direct intention originates from the choreographer themself,they still needs to pursue the distinctiveness and value of the intention.Through the study of the technical composition,problem analysis,and solution strategies of indirect and direct intention,the article aims to provide choreographers with theoretical basis and technical means,so as to promote them to express their personal opinions more effectively in the creative practice and to enhance the artistic value and social significance of their works.
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