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作 者:曾俐 向言词[1] ZENG Li;XIANG Yanci(School of Architecture and Design,Hunan University of Science and Technology,Xiangtan,Hunan,411201)
机构地区:[1]湖南科技大学建筑与设计学院,湖南湘潭411201
出 处:《湖南包装》2025年第1期63-67,共5页
摘 要:云南哈尼族传统服饰作为最直接的视觉语言形式,在各个要素中都蕴藏着丰富的民族历史文化信息。以哈佛大学生物学家爱德华·威尔逊(Edward Wilson)的亲生物理论为依据,通过案例分析来寻找云南哈尼族服饰纹样中亲生物性的体现。采用文献分析法、类型学研究法、图像学研究法、符号学研究法和案例分析法解释云南哈尼族的生态伦理观点后,对哈尼族服饰纹样之纹样造型、纹样色彩、纹样构成和纹样内涵进行图表分解归纳,总结出哈尼族人民进行艺术创造时亲生物性的体现。通过分析云南哈尼族服饰纹样案例,找到了大量具有亲生物性的纹样元素,并将其分为自然环境、植物、动物3个类别。文章从中国传统民族服饰纹样的视角出发,验证了“人对于自然天生的热爱”这一观点,即人的亲生物性,开拓了从亲生物性的视角研究民族艺术的可能性,使中国少数民族服饰创新纹样以多样化的形式存在现代生活中并代代相传。As the most direct form of visual language,the traditional costumes of the Hani nationality in Yunnan Province contain rich information of national history and culture in each element.Based on the biophile theory of Harvard University biologist Edward Wilson,this paper tries to find the manifestation of biophile in the clothing patterns of Hani nationality in Yunnan province through case analysis.Literature analysis,typology,iconography,semiotics and case analysis are used to explain the ecological ethics of the Hani people in Yunnan,and then the pattern modeling,color,composition and connotation of the Hani clothing patterns are analyzed and summarized,and the expression of biophile in the artistic creation of the Hani people is summarized.Through the analysis of the case of the Hani nationality clothing pattern in Yunnan,a large number of biophile pattern elements are found,and they are divided into three categories:natural environment,plant and animal.From the perspective of traditional Chinese ethnic costume patterns,this paper verifies the viewpoint of"man's innate love for nature",that is,man's biophilia,and opens up the possibility of studying ethnic art from the perspective of biophilia,so that the innovative patterns of Chinese ethnic minority costumes exist in modern life in diversified forms and are passed down from generation to generation.
分 类 号:TS941.12[轻工技术与工程—服装设计与工程]
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