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作 者:刘亭亭 Liu Tingting(National Cultural Relics Import and Export Examination and Verification Office of Hainan,Haikou,570100)
机构地区:[1]国家文物进出境审核海南管理处,海口570100
出 处:《博物院》2024年第4期88-95,共8页Museum
摘 要:本文主要对海南省内博物馆馆藏铜锣的类型、纹饰、年代和社会功用等进行探讨。铜锣可分为蛙锣、双环铜锣、脐锣和素面锣四个大类。其中以蛙锣的数量最多。铜锣立体装饰有系部的蛙塑和圆珠,平面纹饰有回纹、云纹、连钱纹等。素面锣中的平面弧壁锣为明末清初的产品,蛙锣很可能是明代以后的制品。蛙锣的社会功用有宗教法器、财富象征、传信工具和民间乐器,是黎族社会生活中的重要器物,包含有生殖崇拜的寓意。This paper mainly discusses the classification,decorative patterns,ages and social functions of gongs in Hainan museums.Gong can be divided into four categories:frog gong,double-ring gong,umbilical gong and plain gong.Among them,the number of frog gongs is the highest.The three-dimensional gong is decorated with frog plastic and beads,and the plane pattern is decorated with fret pattern,moire pattern,and money pattern.The plane arc wall gong is the product of the late Ming Dynasty and the early Qing Dynasty,and frog gong is probably made after Ming Dynasty.The social functions of the frog gong include religious instruments,symbols of wealth,means of communication and folk instruments,it is an important instrument in the social life of the Li ethnic group which contains the meaning of reproduction worship.
分 类 号:K87[历史地理—考古学及博物馆学]
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