论《巴黎的忧郁》和《野草》中的空间哲学  

On the Space Philosophy in Paris Melancholy and The Wild Grass

作　　者：王倩倩 Wang Qianqian(School of Humanities,Kashi University,Kashi 844000,China)

机构地区：[1]喀什大学人文学院,新疆喀什844000

出　　处：《黑河学院学报》2025年第2期128-132,共5页Journal of Heihe University

基　　金：喀什大学人文学院研究生科研创新项目“论《野草》和《巴黎的忧郁》中的诗哲学”(RW2023KY008)。

摘　　要：《巴黎的忧郁》和《野草》两部散文诗作品都有其独特的象征体系,在象征体系构建过程中,波德莱尔和鲁迅通过对密室空间、荒原空间、梦幻空间等的呈现与审视触及了社会现实之黑暗和个体选择,空间完整承载了两位诗人的独特感情。两者所设置的空间意象略有相似,但空间意象上所负载的情感却是两种不同的颓废,波德莱尔利用空间构设更多地表现出自己不愿与社会黑暗同流合污之心,而鲁迅从空间构设到意象排布的过程中始终充满于绝望中搏击暗夜之不屈。The two prose poems Paris Melancholy and The Wild Grass have their own unique symbolic system.In the process of constructing the symbolic system,Baudelier and Lu Xun touch the darkness of social reality and individual choice through the presentation and investigation of the secret room space,the wilderness space,the dream space,etc.,and the space completely carries the unique feelings of the two poets.The spatial images set by the two are slightly similar,but the emotions carried by the spatial images are two diff erent kinds of decadence.Baudelier uses the spatial construction to show his unwillingness to blend with the social darkness,while Lu Xun is always full of despair to fi ght the night from the process of spatial construction to image arrangement.

关 键 词：《巴黎的忧郁》 《野草》 诗哲学 意象 

分 类 号：I106[文学—世界文学]