“个体观点”的影像纪录与表达:私人影像研究框架与主要议题  

Movie Recording and Expression of"Individual Views":The Framework and Main Topics of Private Movie Research

作　　者：国巍 GUO Wei(College of Literature and Education,Bengbu University,Bengbu Anhui 233030,China)

机构地区：[1]蚌埠学院文学院与教育学院,安徽蚌埠233030

出　　处：《湖北第二师范学院学报》2025年第3期89-96,共8页Journal of Hubei University of Education

基　　金：2020年度国家社科后期资助项目“当代中国纪录片发展研究”(20FXWB030)。

摘　　要：“私人影像”作为以个体观点的纪录、表达或具有明显私人属性的叙事作为影像呈现主体的作品。长期以来多将其视为纪录片发展的类型之一进行探讨,但其实从电影诞生之日起,私人影像就已然存在,大致经历了创作主体无意识中的类型初现、主体意识初步觉醒的创作探索、个体纪录到私人表达的创作转变三个阶段。当下,对于私人影像的研究可聚焦于本体论、创作论、价值论三个方向从而带来更为丰富的思考。“Private movie”is a work that uses the record,expression or narrative with obvious private attributes as the subject of movies presentation.For a long time,it has been discussed as one of the types of documentary development,but in fact,since the birth of film,private movies have already existed,roughly experiencing three stages:the initial emergence of genres in the unconscious of the creative subject,the creative exploration of the initial awakening of the subject’s consciousness,and the creative transformation from individual records to private movies.At present,the study of private movies can focus on the three directions of ontology,creation,and axiology,so as to bring richer thinking.

关 键 词：私人影像 纪录片 影像创作 第一人称纪录片 

分 类 号：G641[文化科学—高等教育学]