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作 者:王仁海 WANG Renhai(Institute for Studies of Daoism and Religious Culture,Sichuan University,Chengdu Sichuan 610041,China)
机构地区:[1]四川大学道教与宗教文化研究所,四川成都610041
出 处:《乐山师范学院学报》2025年第2期119-126,共8页Journal of Leshan Normal University
摘 要:文章从“守正创新”的视阈来梳理剖析四川画家入选近两届全国美展中的国画作品,不仅作品数量和水平呈上升趋势、题材内容亦渐趋丰富、风格样式亦趋多样化,作品内容紧扣时代脉搏、表现手法又有“跨界”融合现象,在立足传统文化的基础上又凸显四川地域文化内涵,并通过作品分析四川国画创作的时代转向,同时也对当前四川国画创作存在的问题进行了合理性分析、进一步思考解决的办法和途径,以期突破既有格局,深入思考如何用国画作品来讲述新时代中国故事,在作品中体现“守正创新”的艺术观,唱响新时代主旋律,以期进一步激发四川艺术家国画创作的活力,创作出更多讴歌新时代的优秀国画作品。This paper explores the traditional Chinese paintings by Sichuan artists selected for the recent two national art exhibitions,examining them from the perspective of“adhering to fundamental principles while innovating”.Not only has the quantity and quality of these works shown an upward trend,but their subject matter and thematic content have also become more diverse.The style and approach of these pieces are increasingly varied,with their content closely aligned with the times and exhibiting a cross-disciplinary fusion in their expressive techniques.Rooted in the traditional culture,these works also highlight the cultural es-sence of Sichuan.By analyzing these works,we can discern a shift in the era of Sichuan traditional Chinese painting creation.This paper also conducts a rational analysis of the current issues in Sichuan traditional Chinese painting,exploring ways to break through existing patterns.This paper delves deeply into the way that traditional Chinese paintings can be used to narrate the story of China in the new era,reflecting the artistic concept of“adhering to fundamental principles while innovating”in the works.This resonates with the main theme of the new era,aiming to further invigorate the creative energy of Sichuan artists in traditional Chinese painting and inspire the creation of more excellent works that eulogize the new era.
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