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作 者:罗婧文 熊火花[2] LUO Jingwen;XIONG Huohua(Institute of Poetry Calligraphy and Painting of Sichuan,Chengdu Sichuan 610000,China;School of Fine Arts and Design,Leshan Normal University,Leshan Sichuan 614000,China)
机构地区:[1]四川省诗书画院,四川成都610000 [2]乐山师范学院美术与设计学院,四川乐山614000
出 处:《乐山师范学院学报》2025年第2期127-134,共8页Journal of Leshan Normal University
基 金:四川省哲学社会科学普及基地四川世界遗产普及基地项目“《蜀道文化走廊之历代蜀道题材书画研究与普及》”(YC23—02);四川省张大千艺术研究中心“张大千《西园雅集图》研究”(ZDQ2022-09)。
摘 要:蜀道绘画题材是中国山水画发展史上重要的一环,自山水画发展伊始,其山水形貌已经深深地烙在了中国美术史当中。自晋唐以来,蜀道题材山水画已经历了一千多年的锤炼。结合文献和图像,蜀道山水画图画样式的成因、发展和传播主要分为三个阶段。第一阶段是晋唐时期,蜀道作为交通要道,这一时期画家的创作主要借鉴了蜀道的自然山水,吴道子及二李将军为代表的画家团体创作出一大批以蜀道及周围山水为主的山水画作品。第二阶段是五代两宋至清末,该阶段画家主要以唐宋蜀道山水为摹本,演绎出大量想象中的蜀道山水。第三阶段是二十世纪初全国各地画家入蜀,在历代画家的山水技法基础上进行技法拓展,根据巴蜀的自然山水描绘出新的蜀道山水。The Shu Road-themed painting is an important part in the development history of Chinese landscape painting.Since the beginning of the development of landscape painting,its natural scenery has been deeply imprinted in the history of Chinese art.Since the Jin and Tang dynasties,the Shu Road-themed landscape paintings have undergone more than a thousand years of refinement.With the help of literature and images,the causes,development,and dissemination of the style of Shu Road-themed landscape painting can be divided into three stages.The first stage is during the Jin and Tang dynasties,when Shu road,as a major transportation route,served as the primary reference for painters at that time to create a large number of landscape paintings featuring Shu road and its surrounding mountains and waters,with Wu Daozi,Li Sixun and Li Zhaodao as representative groups of artists.The second stage spans from the Five Dynasties and Song dynasty to the end of Qing dynasty,during which the painters mainly imitated the scenery of the Shu road of the Tang and Song dynasties and interpreted imaginary scenery of the Shu Dao.The third stage is at the beginning of the 20th century when painters from all over the country entered Sichuan,creating new Shu Roadthemed landscape paintings based on the landscape techniques of the painters in the past.
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