峨眉山指画的传承与推广  

Inheritance and Promotion of Emei Finger Painting

作　　者：徐立昕[1] 王思懿 李文丹 李怡 XU Lixin;WANG Siyi;LI Wendan;LI Yi(School of Literature and Journalism,Leshan Normal University,Leshan Sichuan 614000,China;School of Liberal Arts,China West Normal University,Nanchong Sichuan 637002,China;The Middle School Attached to Nanchong Vocational and Technical College,Nanchong Sichuan 637003,China)

机构地区：[1]乐山师范学院文学与新闻学院,四川乐山614000 [2]西华师范大学文学院,四川南充637000 [3]南充职业技术学院附属中学,四川南充637000

出　　处：《乐山师范学院学报》2025年第2期135-140,共6页Journal of Leshan Normal University

摘　　要：“指画”,是指以手指、手掌、指甲蘸墨蘸色在纸绢上作画的一门民间绘画艺术。指画成于唐而盛于清,清朝铁岭指画大师高其佩在成都任职期间将指画进行了传播,其后,指画艺术被峨眉山数代艺术家加以保留和传承,并在2014年凭借其独特的艺术审美价值被列入四川省非物质文化遗产。通过系统梳理指画发展历史,阐述峨眉山指画的传承过程,探讨指画的现实意义与推广策略,可以为指画复兴提供有效的思路与方法,以期恢复指画的生机与活力。"Finger painting"is a folk art of painting on paper and silk with fingers,palms and nails dipped in ink and color.Finger painting was developed in the Tang Dynasty and flourished in the Qing Dynasty.Mr Gao Qipei,a master of finger painting from the city of Tieling during the Qing Dynasty,promoted the art during his tenure in Chengdu.The art has been preserved and inherited by several generations of artists from Mount Emei,and was listed in the Intangible Cultural Heritage of Sichuan Province in 2014 with its unique artistic and aesthetic value.This paper,by systematically sorting out the development history of finger painting,elaborates on the inheritance process of finger painting in Mount Emei,and explores its practical significance and promotion strategies,providing effective ideas and methods for the revival of finger painting in order to restore its vitality and vigor.

关 键 词：峨眉山指画 高其佩 非物质文化遗产 

分 类 号：J205[艺术—美术]