一字见义,一字褒贬——论《红楼梦》中的“春秋笔法”  

One Word Reveals Meaning and One Word Shows Praise or Blame:On the—Chunqiu Writing Technique"in Dream of the Red Chamber

作　　者：李祝名淇 LI Zhu-ming-qi(Harbin Normal University,Harbin 150000,China)

机构地区：[1]哈尔滨师范大学,哈尔滨150000

出　　处：《齐齐哈尔高等师范专科学校学报》2025年第1期36-39,共4页Journal of Qiqihar Teachers College

摘　　要：中国古典小说脱胎于史,《红楼梦》是中国小说史上第一部有意识地从“说书人”之叙述中抽离出来的长篇小说,开创了一种分离作者与叙述者,进而复合式叙事的先河,提供了更广阔的文本解读方向。作为古典小说的典范,《红楼梦》继承了隐晦婉曲的“春秋笔法”,借“微言”显“大义”,具体表现为一字见义,一字褒贬。小说借复合式的叙事方式,使文本呈现出“说不尽”的多重性阐释空间。Chinese classical novels originated from history.Dream of the Red Chamber is the first full-length novel in the history of Chinese novels that consciously withdraws from the narration of the"storyteller".It creates a precedent for separating the author from the narrator and then adopting a composite narrative style,providing a broader direction for text interpretation.As a model of classical novels,Dream of the Red Chamber inherits the implicit and euphemistic"Chunqiu writing technique",revealing"great righteousness"through"subtle words",which is specifically manifested as seeing meaning in one word and giving praise or criticism in one word.Through the composite narrative method,the novel makes the text present a multiple interpretation space that is"inexhaustible".

关 键 词：《红楼梦》 “春秋笔法” 一字见义 一字褒贬 

分 类 号：I242.4[文学—中国文学]