加键唢呐的改良探索  

Exploring the Improvement of Keyed Suona

作　　者：宋广顺 Song Guangshun(Wenzhou University,Wenzhou 325035)

机构地区：[1]温州大学,温州325035

出　　处：《西部学刊》2025年第6期69-73,共5页Journal of Western

摘　　要：20世纪中后期,随着中国民族管弦乐编制的持续丰富与优化,为适应现代专业民族乐团对乐器性能与音响效果的更高要求,诞生了加键唢呐,弥补了传统唢呐在融入交响化民族乐团时遭遇的音响平衡性不佳及统一性欠缺等关键问题。加键唢呐在当今音乐教育领域和乐团演奏领域都发挥出色,但其仍因音准和制作等方面的问题导致发展受限,建议通过统一材质和性能标准、增强其音乐表现力、创新传承路径促使唢呐艺术在保持传统韵味的同时,实现技术层面的革新与艺术魅力的飞跃。In the late 20th century,with the continuous enrichment and optimization of Chinese national orchestras,the keyed suona was created to meet the higher requirements of modern professional national orchestras for instrument performance and sound effects.It has compensated for the key issues of poor sound balance and lack of unity encountered by traditional suona when integrated into symphonic ethnic orchestras.The keyed suona has been performing outstandingly in both music education and orchestra performances.However,its development is still limited due to issues in pitch accuracy and manufacturing.It is,therefore,recommended that through unifying material and performance standards,enhancing its musical expressiveness,and innovating the path of inheritance,the suona art can maintain its traditional charm while achieving technological innovation and a leap in artistic appeal.

关 键 词：唢呐 加键唢呐 改良 

分 类 号：J632.14[艺术—音乐]