评书广播、连环画作和影视改编——论周立波小说《暴风骤雨》的跨媒介传播  

Storytelling Radio,Comic strips,and Film and Television Adaptations:On the Cross-Media Dissemination of Zhou Libo's Novel The Hurricane

作　　者：张明[1] 聂茂[1] Zhang Ming;Nie Mao(School of Humanities,Central South University,Changsha,Hunan 410083,China)

机构地区：[1]中南大学人文学院,长沙410083

出　　处：《城市学刊》2025年第1期101-108,共8页Journal of Urban Studies

基　　金：国家社会科学基金项目(21BZW032);教育部哲学社会科学研究后期资助一般项目(20JHQ042);湖南省社会科学成果评审委员会课题(XSP2023JYC122)。

摘　　要：周立波的小说《暴风骤雨》自1948年出版以来,经历了文本以外的长篇评书广播、连环画改编和影视剧演绎的跨媒介传播过程,体现出经典所具有的多重可生产性。长篇评书的广播,以说话的艺术诉诸于听众,实现了声音美学的声临其境之感;连环画的改编,以静态图画产生出动态效果,构筑了视觉美学的如临其境之感;影视剧的演绎,以荧幕的视听立体融合,营造了混合美学的身临其境之感。由此,文本的跨媒介形式,大大拓宽了小说《暴风骤雨》的传播范围和接受程度。Since its publication in 1948,Zhou Libo’s novel The Hurricane has undergone a process of cross-media dissemination including long-form storytelling radio,comic book adaptations,and film and television interpretations,demonstrating the multiple producibility of classics.The radio broadcast,appealing to the audience through the art of storytelling,has achieved an immersive experience of sound aesthetics;the comic book adaptation,producing dynamic effects through static pictures,has constructed the sense of immersion in visual aesthetics;and the film and television interpretation,integrating audio-visual elements on the screen,has created an immersive experience of mixed aesthetics.Thus,the cross-media forms the text have greatly expanded the dissemination and reception of the novel The Hurricane.

关 键 词：《暴风骤雨》 评书广播 连环画 电影 

分 类 号：I206.7[文学—中国文学]