从定格画面到动态图像,反之亦然:基于技术回环分析和利用人工智能研究电影史  

From Still to Moving Images and Vice Versa:Analysing Technological Cycles and the Use of AI to Study Cinema History

作　　者：比阿特丽斯·塔德奥·富伊卡 亚瑟·莱泽 刘思成(译) 蒲夏青(译) Biatelisi·tadeao·fuyika;Ya Se·Lai;Liu Sicheng;Pu Xiaqing

机构地区：[1]新索邦大学IRCAV [2]法国国家视听研究所(INA) [3]贵州大学音乐学院 [4]贵州民族大学传媒学院

出　　处：《数字人文研究》2024年第4期84-99,共16页Digital Humanities Research

基　　金：2023年度FIAT/IFTA媒介研究基金赞助;“欧盟地平线2020”计划;玛丽·居里研究基金旗下的创新项目,合同编号为No 746257

摘　　要：在人文学科的数字转向中,电影学在与数字工具和语料库思维相遇后碰撞出了新的火花,这对电影史研究尤为重要。利用人工智能工具的图像检索功能,研究者可以高效地从海量的数字电影语料库中抓取并汇总所需的图像等信息,作为更深入研究的理论前提。文章介绍了利用Snoop算法在法国国家视听研究中心的早期电影语料库中开展的第二轮检索实验:基于对运动影像技术回环的回顾,及理论反思电影画格中反复出现的物如何吸收、反映和塑造历史,研究通过从历史电影语料库中检索特定的物,证明了美学关联会引发历史分析,从而将该电影语料库创建背景的特殊性推至幕前,并分析这一研究路径的潜力和局限所在。In the digital turn of humanities,film studies has collided with new sparks after encountering digital tools and corpus thinking,which is particularly important for film history research.Using the image retrieval function of artificial intelligence tools,researchers can efficiently capture and summarize the required images and other information from the massive digital film corpus as a theoretical premise for more in-depth research.This article introduces the second round of retrieval experiments carried out in the early film corpus of the French National Audiovisual Research Center using the Snoop algorithm:Based on a review of the loop of motion image technology and theoretical reflection on how objects that appear repeatedly in film frames absorb,reflect and shape history,the study retrieves specific objects from the historical film corpus,proving that aesthetic associations will trigger historical analysis,thereby bringing the particularity of the background of the creation of the film corpus to the fore,and analyzing the potential and limitations of this research path.

关 键 词：数字人文 电影研究 老电影语料库 图像检索人工智能 物的隐喻义 

分 类 号：G237.5[文化科学]