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作 者:赵学勇[1] Zhao Xueyong
机构地区:[1]陕西师范大学文学院
出 处:《东南学术》2025年第2期197-208,248,共13页Southeast Academic Research
基 金:国家社会科学基金重大项目“红色文艺与百年中国研究”(项目编号:21&ZD260);国家社会科学基金重点项目“红色中国的域外书写及传播研究(1934—1979)”(项目编号:21AZW019)。
摘 要:中国文学的现代化是整个中国现代化事业不可或缺的组成部分,文学现代化与民族、国家现代化的历史进程具有内在的同步性、相通性、互融性。在百年演变中,中国文学在现代化道路上不断摸索前行,在启蒙、革命、救亡、新中国成立及改革开放的时代浪潮中始终谋求进步与创新,其不断追求并显现于各不同时段的现代性思想意识和文学精神,构成了中国式现代化的文学表征和时代特征。回望中国文学的现代化之路,人民性始终是百年中国文学的思想根基和精神指向,决定了百年中国文学现代化的主体构成与人民文艺的实践路径。在中国式现代化的理论视域中审视百年中国文学的现代化之路,有助于认识和总结现当代文学发展的历史经验,正视并反思当下中国文学所面临的种种问题,对新时代中国文学的发展具有极为重要的价值和意义。The modernization of Chinese literature is an indispensable part of the Chinese modernization cause as a whole and the modernization of literature is intrinsically consistent with the historical process of the modernization of the nation and the country.As the beginning of the modernization of Chinese literature,the most important contribution of the May Fourth New Literature is“discovery of man”,which makes Chinese literature participate in the modernization process of world literature and starts the construction of modernization.The proletarian revolutionary literature and the left-wing literary movement pushed forward the Sinicization of Marxist literary and art theory,promoted a deep interaction between literature and revolution and provided an epic expression of broad vision for the modernization of Chinese literature.Yan’an literature and art established the direction of“for the people”and shaped the people’s literature and art with Chinese manner and Chinese style with the popularization of literature and art and the nationalization of literary and art forms.The literature of New China is a national literary form rising from the regional Yan’an literature and art,which undertakes the important mission of shaping the image of New China and spreading ideology.Since the new era,the exchanges between Chinese literature and world literature have been constantly expanding,which has released the multiple aspects of modernity and highlighted the diversified exploration of modernization of Chinese literature.In the wave of enlightenment,revolution,national salvation,the founding of New China and reform and opening-up,Chinese literature has always sought progress and innovation.The“modernity”ideology and literary spirit it constantly pursues,which have appeared in different periods,constitute the literary representation and characteristics of“Chinese-style modernization”.Looking back on the road of modernization of Chinese literature,the affinity to the people has always been the ideological fo
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