延安文艺中的术语与流变  

On the Terminology of Yan'an Literature and Art and Its Evolution

作　　者：周维东[1] ZHOU Wei-dong(The College of Literature and Journalism,Sichuan University,Chengdu,Sichuan,610072,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610072

出　　处：《西华大学学报(哲学社会科学版)》2025年第2期1-10,F0002,共11页Journal of Xihua University(Philosophy & Social Sciences)

基　　金：四川省社会科学重点研究基地项目“巴蜀文化的传播和话语体系研究”(项目编号:SCAA24-B12)。

摘　　要：延安文艺—当代文艺的传承关系,是考察“延安文艺”当代形塑中的基本问题,通过术语流变的方式可以将这个大问题具体化。延安时期的文艺术语具有制度性、谱系的特点,如果对其进行整体把握,可以分为理论类术语、主题类术语、形式类术语、制度类术语四种,体现出延安文艺作为“运动”的特点。四类术语在当代文艺中被选择使用、内涵改写的过程,反映出延安文艺进入当代的形塑历史。The inheritance relationship between Yan'an literature and contemporary literature is a key issue in understanding how Yan'an literature has been shaped in the contemporary era.This relationship can be concretely traced through the evolution of terminology.The literary and artistic terminology of the Yan'an period exhibits characteristics of institutionalization and genealogy.Broadly,it can be categorized into four dimensions:theoretical terminology,thematic terminology,formal terminology,and institutional terminology—collectively reflecting the"movement"nature of Yan'an literature and arts.The process through which these four categories of terms have been selectively employed and semantically reinterpreted in contemporary literary and artistic practices reflects the formative history of how Yan'an's cultural legacy has been reshaped and integrated into the modern era.

关 键 词：延安文艺 术语 流变 当代文艺 

分 类 号：I206[文学—中国文学]