从《重午戏婴图》看宋代“小儿班”戏及其政治意义  

Viewing the Song Dynasty’s“Children’s Class”Opera and its Political Significance from the Playful Children on Dragon Boat Festival

作　　者：杨松立 刘瑜 YANG Song-li;LIU Yu(College of Fashion and Art Design,Donghua University,Shanghai 200050)

机构地区：[1]东华大学服装与艺术设计学院,上海200050

出　　处：《艺术百家》2024年第6期98-105,共8页Hundred Schools In Arts

基　　金：2024年度国家社科基金艺术学一般项目“中国与东南亚地区的服饰交流互鉴研究”(项目编号:24BG145)阶段性成果之一。

摘　　要：宋代画家苏汉臣的《重午戏婴图》具有图像学研究价值。通过考察苏汉臣的绘画、相关宋杂剧文献资料,以及图中小童的服饰可知,“小儿班”戏的演出设定异于常规,与宋杂剧“爨”在戏目呈现、角色形式上存在差异。戏中核心人物“武官”装孤折射出宋代政治的发展状况。装孤“持笏禀报”桥段是苏汉臣刻意为之,是他借画中儿童戏的形式劝诫当朝权贵听取忠言、善用武官,赞许有志之士的反映。Song Dynasty painter Su Hanchen’s Playful Children on Dragon Boat Festival has the value of image study.According to Su Hanchen’s paintings,relevant literature of Miscellaneous Drama of the Song Dynasty,and the chil⁃dren’s dress in the picture,we can see that the performance setting of“Children’s Class”is different from that of Miscellaneous Drama of the Song Dynasty“Cuan”in the presentation of the stage and the role form.The central char⁃acter in the play,“military attache”,shows the political development of the Song Dynasty.The bridge of“holding a Hu report”is deliberately done by Su Hanchen,and it is a reflection of his exhorting the dignitaries of the dynasty to listen to loyal advice,make good use of military attaches,and commend people with lofty ideals through the form of children’s play in the painting.

关 键 词：苏汉臣 《重午戏婴图》 宋杂剧 宋代政治 

分 类 号：J205[艺术—美术]