“诗意江南”的弥散与重构:20世纪80年代以来江南电影发展观察  

The Diffusion and Reconstruction of“Poetic Jiangnan”:An Observation on the Development of Jiangnan Cinema Since the 1980s

作　　者：丁莉丽 吴鑫源 DING Li-li;WU Xin-yuan(School of Television Arts,Communication University of Zhejiang,Hangzhou,Zhejiang 310018)

机构地区：[1]浙江传媒学院电视艺术学院,浙江杭州310018

出　　处：《艺术百家》2024年第6期125-131,共7页Hundred Schools In Arts

摘　　要：20世纪80年代之前,江南电影以繁荣生长的姿态显示出强烈的“在场”感,“诗意江南”成为世人心目中的精神原乡与理想圣地。20世纪80年代后,关于江南的影像在电影界陷入一种“失意”乃至“失语”的状态。文章以20世纪80年代作为特殊的时间节点,聚焦电影中“诗意江南”走向弥散的文化现象,探究江南电影边缘化背后的深层原因,并探讨当下江南电影重新焕发光彩的可能前景。Before 1980s,Jiangnan cinema showed a strong sense of“presence”with its prosperous growth,and the“poetic Jiangnan”became the spiritual hometown and ideal holy land in the people’s imagination.After the 1980s,the images of Jiangnan have been in a state of“decline”or even“loss”in the film industry.The article takes the 1980s as a special time node,focuses on the cultural phenomenon of“poetic Jiangnan”turning into diffusion in films,explores the underlying reasons behind the marginalization of Jiangnan cinema,and discusses the possible prospects for Jiangnan cinema to regain their luster in the present.

关 键 词：20世纪80年代 江南电影 “诗意江南” 江南文化 

分 类 号：J992[艺术—电影电视艺术]