主题性绘画中的生态艺术表达——以江苏省国画院《长江春色图》为中心  

Ecological Art Expression in Thematic Painting:Take The Changjiang of Spring Created by Jiangsu Traditional Chinese Painting Institute as the Center

作　　者：刘长康 周京新[1] LIU Chang-kang;ZHOU Jing-xin(School of Fine Arts and Calligraphy,Nanjing University of the Arts,Nanjing,Jiangsu 210013)

机构地区：[1]南京艺术学院美术与书法学院,江苏南京210013

出　　处：《艺术百家》2024年第6期160-166,共7页Hundred Schools In Arts

摘　　要：生态艺术浓缩了艺术创作者对生活环境的反思,也凝聚了艺术家对自然景观、人文景观、社会景观的真实情感。江苏省国画院是“新金陵画派”的诞生地,在生态艺术表达和时代特征表现上有着独到的视角和表现形式。《长江春色图》是当代美术工作者们根据长江流域地貌特征和人文历史创作的主题性绘画,通过中国画笔墨将生态艺术与主题性绘画相结合,礼赞新时代生态文明建设成就,呈现出“一创”“三新”的艺术特征。本文对江苏省国画院表现宏大叙事的《长江春色图》进行研究,论证了新时代美术工作者将生态艺术与当代主题性绘画相结合,用情用力讲好中国故事,创作出具有新时代精神风貌的美术精品的重要性、可行性与必然性。The ecological art condenses the artist’s reflection on the living environment,and also condenses the artist’s true feelings on the natural landscape,the human landscape and the social landscape.Jiangsu Traditional Chinese Painting Institute is the birthplace of the“New Jinling Painting”,It has a unique perspective and form for the expression of ecological art and the performance of the characteristics of the times.The Changjiang of Spring is a the⁃matic painting created by contemporary art workers according to the geomorphic characteristics of the Changjiang Basin and human history through Chinese painting,eulogizing the achievements of ecological civilization construction in the new era,showing the artistic characteristics of“one creation”and“three new”.Through the analysis of the grand narrative The Changjiang of Spring of Jiangsu Traditional Chinese Painting Institute,this paper demonstrates the im⁃portance,feasibility and inevitability of combining the concept of ecological art with contemporary thematic painting,telling Chinese stories with emotional force,and creating fine art with the spirit of the new era.

关 键 词：生态艺术 主题性绘画 江苏省国画院 《长江春色图》 

分 类 号：J205[艺术—美术]