《大众日报》与山东早期抗战木刻的视觉叙事  

Dazhong Daily and The Visual Narration of Woodcut in Early Anti-Japanese War in Shandong

作　　者：杜安迪 Du Andi

机构地区：[1]广州美术学院研究生学院

出　　处：《美术观察》2025年第3期72-76,共5页Art Observation

基　　金：2020年国家社科基金艺术学一般项目“沂蒙精神的图像叙事”课题阶段性成果,项目编号:20BF090。

摘　　要：《大众日报》在抗战时期刊登的一批木刻图像,其背后创作者大部分是受上海左翼美术家联盟影响的进步青年、延安鲁艺学员以及山东鲁艺本土培养起来的美术家。新闻报刊上的抗战木刻,不同于一般意义上的木刻创作,有一种历史在场的厚重感,基于战时真实的人和事而叙事,使之具备了传递新闻信息的话语空间,不仅扩大了其传播效果,也强化了木刻自身的战斗性。《大众日报》在抗战时期刊登的木刻影响了人们对抗战木刻教化功能的认识。Most of the artists behind a batch of woodcut images published by Dazhong Daily during the Anti-Japanese War were progressive young people influenced by the Shanghai Left-wing Artists Union,Lu Art students in Yan'an and local artists trained in Shandong Lu Art.However,woodcuts in the Anti-Japanese War,on a newspaper,are different from woodcuts in the general sense,and have a heavy sense of historical presence.The narrative based on real people and things during the war gives it the discourse space to convey news and information,which not only expands its communication effect,but also strengthens the combativeness of woodcuts themselves.The woodcuts published in the Dazhong Daily during the Anti-Japanese War influenced people's understanding of the educative function of Anti-Japanese War woodcuts.

关 键 词：《大众日报》 抗战木刻 视觉叙事 

分 类 号：G21[文化科学—新闻学]