从黄庭坚到董其昌:观念与书史之变  

From Huang Tingjian to Dong Qichang:Their Concepts and the Consequent Transformation to the Calligraphy History

作　　者：周勋君 Zhou Xunjun

机构地区：[1]天津美术学院中国画学院

出　　处：《美术观察》2025年第3期109-116,共8页Art Observation

摘　　要：北宋黄庭坚与明董其昌同为彪炳书史的一流书家,但其书学观念截然相悖。当对其各自所属时代及群体做出考察时会发现,这种相悖不仅存在于黄、董二人个体之间,亦存在于整个时代及其上下关系中。它牵带出的是在古典书学内部以两宋为分水岭,从美学理想、技巧操控,到书写心理、专门身份的自我认定的全面变革。Huang Tingjian of the Northern Song Dynasty and Dong Qichang of the Ming Dynasty were both Chinese first-rate calligraphers who have made outstanding contributions to the history of calligraphy,but their concepts of calligraphy were completely opposed.Studying their respective eras and the contemporaneous populations reveals that this contradiction not only existed between Huang and Dong at an individual level but also throughout their respective generations and the relationship between the former's and latter's dynasties.What it brings out is an intrinsic transformation of classical calligraphy across the board,stretching from aesthetic ideology,writing technique and control,to calligraphy psychology and self-identity as specialists,taking the two Songs Dynasty as a watershed.

关 键 词：书写 观念 巧 拙 苏黄 赵董 

分 类 号：J292.1[艺术—美术] K244[历史地理—历史学]