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作 者:涂昌裕 Tu Changyu
机构地区:[1]上海大学禅文化研究中心 [2]中国美术学院书法学院
出 处:《美术观察》2025年第3期117-122,共6页Art Observation
摘 要:元代禅僧中峰明本书法奇特,风格异于时流,世人称之为“柳叶体”。其中存在许多非常态的书写惯性,将这些征象统整分析,合理推测存在着左书执笔与其他可能。禅僧书法的个性化彰显究竟是有意为之抑或是自然本色,书论其人,笔者将着力于笔迹与图像考察,为中峰明本墨迹研究提供新的发现与观点。Yuan dynasty Zen monk Zhongfeng Mingben's calligraphy is peculiar and his style is different from the flow of time. The world called it “willow leaf body”, which there are many unconventional writing inertia. These signs will be analyzed in a holistic manner and is reasonable to assume the possibilities of writing calligraphy in the left hand. Whether the personalized manifestation of Zen monk calligraphy is from intention or natural nature? The style of calligraphy can reveals one's character. The author will focus on the examination of handwriting and images to provide new discoveries and perspectives for the study of Zhongfeng Mingben's handwriting.
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