中国古代多元一体设计文化探析  

Analysis of the Design Culture of Pluralistic Integration in Ancient China

作　　者：张国斌 张晶[2] ZHANG Guobin;ZHANG Jing

机构地区：[1]上海视觉艺术学院,上海201620 [2]华东师范大学,上海200062

出　　处：《上海视觉》2024年第4期16-23,共8页Shanghai Vision

摘　　要：我国各民族在长期交往交流交融的过程中形成了中华民族共同体与中华民族共同体意识。“多元一体”是中华民族共同体的基本格局,“四个与共”是中华民族共同体意识的基本理念。中华文化是有几千年历史传统的多元一体文化,有着博大精深的特点。本文以习近平总书记在文化传承发展座谈会上的讲话精神和中华民族多元一体格局的理论框架为依托,阐明中国古代设计文化特有的多元一体结构,同时从设计文化的角度,具体地论述了中华民族多元一体发展的历史和思想、艺术和技术的特征。In the process of long-term association,communication and integration,Chi-nese ethnic groups have formed the Chinese national community and the awareness of the Chinese national community."Pluralistic integration"is the basic pattern of Chinese national community,and"Four being together"jis the basic ideology of Chinese national community consciousness.Chinese culture is a diversified and integrated culture with thousands of years of history and tradition,characterized by its vastness and profundity.This paper is based on the spirit of Xi Jinping's speech at the symposium on culture inheritance and devel-opment as well as the theoretical framework of pluralistic integration pattern of the Chinese nation,elucidating the unique pluralistic integration structure of ancient Chinese design culture.Meanwhile,from the standpoint of design culture,this paper elaborates the develop-mental history and ideology,as well as the artistic and technical characteristics of pluralistic integration of the Chinese nation.

关 键 词：多元一体 设计文化 习近平文化思想 

分 类 号：G63[文化科学—教育学]