济南博物馆藏明恽本初《层峦秋霁图》题款考  

A Study on the Inscription of Yun Benchu's Picture of Clearing Up After Autumn Rain in the Mountains During the Ming Dynasty Collected in Jinan Museum

作　　者：李南南 LI Nannan

机构地区：[1]新疆大学,乌鲁木齐830046

出　　处：《上海视觉》2024年第4期66-73,共8页Shanghai Vision

摘　　要：济南博物馆今藏有明代恽本初早期作品《层峦秋霁图》,该画卷的整体风格与画卷题款所表现出的画者之思想感情存在较大反差。笔者使用“图”“文”“史”相结合的方法,将画卷放入其创作的历史环境中加以考证,对画卷题款中提到的人物杨师孔、刘荣嗣、魏浣初与恽本初的交游情况及他们的人生境遇进行考探,发现画卷风格与题款表达情感形成反差之原因和晚明的时代背景、画者人生经历、创作心态有着密切关联。在考探过程中不仅丰富了恽本初早年的生平研究资料,亦能观照晚明天启朝士人在国家内忧外患的大背景下的人生困境、心理状态及他们面对困境所采取的应对方式。Jinan Museum now houses an early work by Yun Benchu from the Ming Dy-nasty,titled Picture of Clearing Up After Autumn Rain in the Mountains.The overall style of the painting contrasts greatly with the artist's thoughts and emotions expressed in the inscrip-tion.The author uses a combination of"picture","text",and"history"to examine the historical environment in which the painting was created.The author investigates the social interac-tions and life situations of the characters Yang Shikong,Liu Rongsi,Wei Huanchu,and Yun Benchu mentioned in the painting inscription,and finds that the contrast between the paint-ing style and the emotions expressed in the inscription is closely related to the background of the late Ming Dynasty,the life experiences of the painter,and their creative mentality.During the exploration process,not only did it enrich the research materials on Yun Benchu's early life,but it also allowed us to observe the life difficulties,psychological states,and coping strategies of scholars in the late Ming Dynasty's Tianqi Dynasty against the backdrop of inter-nal and external troubles in the country.

关 键 词：恽本初 《层峦秋霁图》 题款 

分 类 号：J21[艺术—美术]