土山湾画馆视觉艺术作品创作与中西文化交流  

The Creation of Visual Art Works at the T'ou-Se-We Arts Studio and the Cultural ExchangeBetween China and theWest

作　　者：应焕强 YING Huanqiang

机构地区：[1]复旦大学,上海200433 [2]团中央中国青少年研究会,北京100089

出　　处：《上海视觉》2024年第4期144-148,共5页Shanghai Vision

基　　金：国家社科基金重大项目“宗教对当代国际关系和全球政治的影响(24&ZD202)”;团中央中国青少年研究会重点项目“青少年宗教信仰状况研究(2024A09)”;常州市大运河文化带建设研究院重点项目“清代孟河医派回族医家沙氏医籍研究(2022DYHZX02)”;复旦大学亚洲研究中心2023年资助项目“日本对亚洲国家人权外交策略研究”。

摘　　要：晚清时期土山湾的孤儿院、画馆和书馆创制、翻刻、印制、行销了大量视觉艺术作品。土山湾视觉艺术作品成为近代西方视觉艺术作品与中国大众互动的文化载体。基于土山湾编印的插图书册,本文梳理近代上海中西视觉艺术创作技艺的融合过程,剖析视觉艺术文化交流的场域、传播形式和内容的异化,文化消费偏好的生成、社会阶层隔阂等的制约,为经典传统文化国际传播提供借鉴。In the late Qing Dynasty,orphanages,art studio,and bookstores in T'ou-Se-We created,reprinted,printed,and marketed a large number of visual art works.T'ou-Se-We visual art works have become a cultural carrier for the interaction between modern Western visual art works and the Chinese public.Based on the illustrated books compiled and printed by T'ou-Se-We,this paper reviews the integration of Chinese and Western visual art creation techniques in modern Shanghai,analyzes the field,the alienation of communication form and content of visual art cultural exchanges,the generation of cultural consumption prefer-ences,and the constraints of social class estrangement,so as to provide reference for the international dissemination of classic traditional culture.

关 键 词：晚清 视觉艺术创作 土山湾 文化传播异化 

分 类 号：K252[历史地理—历史学] J110.9[历史地理—中国史]