时代责任与精神取向:中国当代主题性水彩画创作的功能向度  

Responsibility of the Times and Spiritual Orientation:The Functional Dimension of Contemporary Thematic Watercolor Painting in China

作　　者：李向兵 LI Xiangbing(College of Fine Arts,Fuyang Normal University,Fuyang 236037,China)

机构地区：[1]阜阳师范大学美术学院,安徽阜阳236037

出　　处：《皖西学院学报》2025年第1期114-118,共5页Journal of West Anhui University

基　　金：安徽省教育厅优秀青年人才重点项目(gxyqZD2020095);国家艺术基金美术创作项目(2023-A-03-088-312);国家艺术基金青年艺术人才创作项目(2019-A-05-(270)-0977);中国文联2023年度青年文艺人才创作资助项目“茶语丰年”。

摘　　要：水彩画发展至今,已不是过去的小画种,其影响力与日俱增。其主题性创作除传统功能外,还能反映时代发展与社会现实、彰显主流价值,继承弘扬中国传统文化精神,推动艺术创新。对其主题性创作功能向度展开学理性研究,可以更好地理解艺术与社会、时代的关系,强化艺术使命担当,坚守艺术本真、体现人文关怀、传递时代精神,完善新时代语境下水彩画主题创作的叙事语言建构。Since its development,watercolor painting is no longer a minor art form,and its influence is increasing day by day.In addition to traditional functions,its thematic creations can also reflect the development of the times and social realities,highlight mainstream values,inherit and promote the spirit traditional Chinese culture,and drive artistic innovation.Conducting academic research on the functional orientation of its thematic creations can better help people understand the relationship between art and and the times,clarify the mission of art,adhere to the essence of art,reflect humanistic care,convey the spirit of the times,and enhances the narrative language of thematic watercolor painting in the context of the new era.

关 键 词：水彩画 主题性创作 功能向度 

分 类 号：J215[艺术—美术]