从“巫术咒语”到“祭祀颂诗”:中国诗歌的发生与早期发展  

From“Witchcraft Incantations”to“Ritual Ode”:The Occurrence and Early Development of Chinese Poetry

作　　者：李鹏[1,2] LI Peng(School of Liberal Arts,Anhui Normal University,Wuhu,Anhui 241002,China;Department of Chinese and Communication,Bozhou University,Bozhou,Anhui 236800,China)

机构地区：[1]安徽师范大学文学院,安徽芜湖241002 [2]亳州学院中文与传媒系,安徽亳州236800

出　　处：《安徽理工大学学报(社会科学版)》2025年第1期53-60,共8页Journal of Anhui University of Science and Technology:Social Science

基　　金：国家社会科学基金重点项目:汉魏佛教诗学研究(18AZW006);安徽高校协同创新项目:中国经学诗学史(GXXT-2021-045);安徽省高等学校科学研究重点项目:“汉末瘟疫对政治、文学的影响”(2022AH052404)。

摘　　要：沿着“大传统”规范、导引的文化方向,探索中国早期诗歌从“咒语”到“颂诗”的演变历程,可发现早期的“祭祀颂诗”源自“巫术咒语歌”,但出于娱神需求,巫术咒语直言命令的口吻在祭祀仪式中遭到扬弃,而其“直言”“铺陈”的言说方式与类比联想的思维方法则成为祭祀颂诗“赋”和“比”表现手法的孕生土壤。可以说,从巫术咒语歌到祭祀颂诗,诗歌语言的审美愉悦性得到关注,诗乐舞一体的表现形态逐渐形成,中国诗歌的发生完成了从早期形态到成熟形态的过渡。研究结论有助于深刻认识远古暨三代社会政治话语权力变迁及文化基本面貌保持等问题。Following the cultural direction of“great tradition”regulation and guidance,this paper explores the evolution of early Chinese poetry from“incantations”to“hymns”.It can be found that the early“ritual ode”originated from“witchcraft incantations”,but the tone of the magic mantra was abandoned in the sacrificial ceremony for the sake of entertaining the gods.The way of speaking“frankly”and“spreading”and the thinking method of analogy association become the fertile soil of the expression methods of“Fu”and“Bi”in sacrificial poems.It can be said that from magic mantra songs to sacrificial poems,the aesthetic pleasure of poetic language has been paid attention to,and the expression form of poetry,music and dance has gradually formed.Chinese poetry has completed the transition from the early form to the mature form.The conclusion of this study contributes to deeply understand the changes of the power of social and political discourse and the maintenance of the basic appearance of culture in ancient and three generations.

关 键 词：巫术咒语歌 祭祀颂诗 演进 话语权力 文化一致性 

分 类 号：I206.2[文学—中国文学]